Trinity Church Press Preview 2005
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Visit the Trinity Boston
Preservation Trust site: www.savetrinity.org
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the Trinity Church website: www.trinitychurchboston.org
Trinity Church as seen from Old South Church in Boston. © Peter Vanderwarker.
Photo by Cervin Robinson. © Trinity Church in the City of Boston.
Today's conservators discovered that a rejected design of floral and vine
elements had shown through by the time of the 1950s restoration of Trinity Church,
leading the conservators of that time to believe the decoration was intended to
be there. Exposures proved that the floral and vine design had been rejected by
the painters of La Farge's time who covered it with a simple gold band. Today's
restorers have returned the Inscription Band to its original look. © Trinity
Church in the City of Boston
After treatment, the Inscription Band is much easier to read, now that the
original floral and vine design rejected by La Farge has again been covered. ©
Trinity Church in the City of Boston
Now cleaned of decades of grime, the glorious red and gold colors shine. ©
Trinity Church in the City of Boston
This view of the Inscription Band reveals the vibrant colors of La Farge's
palette and the beauty of the cleaned Inscription Band. © Trinity Church
in the City of Boston
Prior to cleaning, one can see how dull the colors are and where paint is
missing. © Trinity Church in the City of Boston
Cleaning has restored the vibrant colors and, along with careful inpainting,
returned the panels to their original beauty. © Trinity Church in the City
of Boston
Here the cleaned panels with their vibrant red background, now restored to
the red selected by La Farge and Richardson, are seen above the Inscription Band
before it was treated. © Trinity Church in the City of Boston
During previous restorations, a different red was selected for the walls than
the one used in 1876-1877 by La Farge when he and his assistants were painting
every inch of ceiling, wall, and column. Today's conservators have returned to
the original more vibrant red used by La Farge. © Trinity Church in the City
of Boston
During previous restorations, a different red was selected for the walls than
the one used in 1876-1877 by La Farge when he and his assistants were painting
every inch of ceiling, wall, and column. Today's conservator have returned to
the original more vibrant red used by La Farge. © Trinity Church in the City
of Boston
In this image, the water damage can be clearly seen between the Prophets Paul
(left) and Isaiah. Prior to the conservation work inside the building, the exterior
of Trinity Church's Central Tower was repaired and again made watertight. ©
Trinity Church in the City of Boston
This image shows the Prophets Paul (left) and Isaiah with the area of water
damage of the corner fully repaired. © Trinity Church in the City of Boston
While nearly all of the murals in Trinity Church are painted directly upon
the plaster, two were found to be on canvas, including Journey Into Egypt. When
conservators removed the tympanium called Journey Into Egypt, which is seven feet
wide and three feet high, they discovered a painting behind it that no one knew
was there and that no one had seen since it was covered by La Farge sometime during
the winter of 1876-1877. © Trinity Church in the City of Boston
Conservators removing Journey Into Egypt are about to discover a hidden painting.
© Trinity Church in the City of Boston
The hidden painting behind Journey Into Egypt has some areas of damage from
the glue La Farge used to attach the new painting on canvas to the wall. The hidden
painting shows Peter reaching into the mouth of a fish for a coin. © Trinity
Church in the City of Boston
Conservators at work on the scaffolding. © Trinity Church in the City
of Boston
Conservator at work on the scaffolding. © Trinity Church in the City
of Boston
Conservator at work on the scaffolding. © Trinity Church in the City
of Boston
Conservator at work on the scaffolding. © Trinity Church in the City
of Boston
An uncleaned stained glass window by John La Farge entitled "The New
Jerusalem." © Trinity Church in the City of Boston
A cleaned stained glass window by John La Farge entitled "Resurrection."
© Trinity Church in the City of Boston
A view of one of the new panels, 32-feet-wide and nine-feet-high, commissioned
by Trinity and created by contemporary artists Alexander Beleschenko and Raffaella
Sirtoli Schnell. On both sides are the granite piers revealed by the excavation.
These piers -- there are four of them total -- support the weight of the massive
Central Tower above. © Trinity Church in the City of Boston
This view of the new Trinity Commons, the floor excavated underneath the church
to create meeting space, shows one of four granite piers that support the weight
of the Central Tower above. © Trinity Church in the City of Boston
With one of the doors in the new panels created by artists Alexander Beleschenko
and Raffaella Sirtoli Schnell open, one can see across the new space created at
Trinity Church underneath the church. © Peter Vanderwarker
This black and white image shows the space underneath the church before excavation
began. © Trinity Church in the City of Boston

An
interior shot of the church after restoration. © Trinity Church in the City
of Boston